Article: occupy and assemble – transversal web journal

#occupy and assemble∞
transversal web journal

From the sit-ins on the Kasbah Square in Tunis to the tents on Rothschild Boulevard in Tel Aviv, from the encampments on the Puerta del Sol in Madrid to Syntagma Square in Athens, from the Wisconsin Uprising to Occupy LA, from Tahrir Square in Cairo to Liberty Plaza in New York – there is an incredible movement of occupations growing in this year of 2011. Slogans like “They don’t represent us” call for a non-representationist political practice, inventive forms of assembling bring new meaning to the good old general assembly, reappropriations of space and time thwart the logic of private and public: There is a new abstract machine in the making, traversing the local practices, empowering itself with every new space that is occupied, every new assembly that finds another form of expression and sociality. This issue of transversal is a discursive component of this abstract machine emerging from the actual experiences of Occupy Wall Street, dedicated to all the precarious occupiers in the world.

http://eipcp.net/transversal/1011

Contents
Judith Butler: Bodies in Alliance and the Politics of the Street
Nicole Demby: Liberty Plaza. A “Message” Entangled with its Form
Isabell Lorey: Non-representationist, Presentist Democracy
Gerald Raunig: The Molecular Strike
Nato Thompson: The Occupation of Wall Street Across Time and Space
Dan S. Wang: From One Moment to the Next, Wisconsin to Wall Street

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Sound of Ebb: The Sound of eBay

Name: Hans Bernhard
Link: http://www.sound-of-eBay.com
http://www.sound-of-eBay.com/visualcoding.html

Location: Internet / Austria
Title: The Sound of eBay
by http://ubermorgen.com

Description:
Using eBay user data, The Sound of eBay generates unique songs (Soundcoding: Stefan Nussbaumer). By simply entering any eBay username and clicking “generate”, the robots sprawl out into the net to collect data, bringing it back to the SC3 Supercollider sound-generation engine. The complex software-machine starts generating a score-file which is then transformed into a unique song.

“The Sound of eBay” transforms a role-model of individual commodities market in an “ARTitude” of robotic configurations and strings, swapping personalized and compositional business dreams with sound designs from secure client accounting. Using the concept of creative destruction, this entertainment-aggregation is tuning in a mind-blowing cutup, pushing the contemporary lifestyles over the edge and combines it with transformable delays of post-realistic business-analysis.